I examine her face closely on Pinterest—
the cracked skin, the oval sidelong face, the ripples of red hair
small breasts, strong abdominal muscles, wide hips,
and the way her hair curls around her body to cover her pudenda.
Pudenda, from the Latin pudēre, meaning to be ashamed.
But Venus stands proudly, a smile in her eyes,
one knee bent, heel raised, leg slanting into the other
like a woman in love leaning into her mate.
Women stand sideways, flanking broad-shouldered men,
curving their necks into a mimicry of rest.
We are ornaments around the necks of our beloveds—
garlands of flowers, their stems tied together with string.
But Venus tears us away and scatters us.
Now, our petals are torn, brown-edged, floating face down in water.
F
Fiercely Tender: The Simple Complex World of Michael Ondaatje’s Novels
Shortly afterwards in that novel we encounter a celebration of the body, grime and all, unimpeded by this abstraction called mind. While writing the body might seem not altogether unusual, my point is that you cannot simply assume its naturalness. Language, even fictional language, is so much of a mentally...