From the Editor’s Desk
October started with the delightful news of South Korean writer Hang Kang winning the Nobel prize for literature. It was an announcement that might have taken many by surprise, but was also warmly welcomed. I had read Kang's famous book The Vegetarian, a few years ago, at a time when I was going through a few upheavals myself, and had instinctively turned vegetarian, in a strange effort to what felt like finding peace.
Peace is an odd word to ally with one's food choices you might think, but how our body reacts to the outside world, and and how it intuitively tries to find calm within the chaotic, is perhaps more about being gut friendly than we understand. Seeking peace, and finding the resources to arrive at that peace are both intuitive and informed choices. It is a moving away, that is as inward, as it is outward, especially for a middle class woman, who responds to her emptiness in the most natural way that her mind and body tells her to.
For hundreds of years now people have combated violence, inner turmoil or the tendency to oppose some wrongdoing with either a fast or eating sparsely. Whether this is an Eastern tendency or a global phenomenon is something that might be an interesting study, but the quiet force with which a woman or a group stands up to an entire society and becomes defiant of their own ability to live, and survive, becomes a remarkable phenomenon.
Good literature, whether it is a protest or not, stems from the same need to find one's own truth, a certain search for an illusive beauty, that by its very nature of being so jarring, is both startling and a protest of the deepest kind. This is an internal run, this strange stubbornness and poetic contradiction, to not appear bohemian or mad, but instead make the inward protest so deep, that it begins to speak loudly to those that surround you.
One would imagine that beyond a point all art aims at startling, at pushing boundaries. We give you October, a small, but powerful issue
Maitreyee Bhattacharjee Chowdhury
Managing Editor, The Bangalore Review