I examine her face closely on Pinterest—
the cracked skin, the oval sidelong face, the ripples of red hair
small breasts, strong abdominal muscles, wide hips,
and the way her hair curls around her body to cover her pudenda.
Pudenda, from the Latin pudēre, meaning to be ashamed.
But Venus stands proudly, a smile in her eyes,
one knee bent, heel raised, leg slanting into the other
like a woman in love leaning into her mate.
Women stand sideways, flanking broad-shouldered men,
curving their necks into a mimicry of rest.
We are ornaments around the necks of our beloveds—
garlands of flowers, their stems tied together with string.
But Venus tears us away and scatters us.
Now, our petals are torn, brown-edged, floating face down in water.
I
In Opposition of Poetic Tradition: A Poet’s Guide to Transcending Eurocentricity
Bianca Alyssa Pérez shows us in this essay how poets Laurie Ann Guerrero, Audre Lorde, and Gris Muñoz use free verse, personal experience, and linguistic subversion to challenge and transcend Eurocentric poetic traditions.



