Tomatoes and cucumbers overcome by mint —
green beans hanging from gutters —
circles around eyes
weepy with moonlight.
We sit on your porch, gliding
on the glider,
drunk on tea and gin.
More tea steeps —
steeps in mugs and cups, saucers and jelly jars —
steeps in the dining room and kitchen —
steeps in the bathroom, bedroom,
living room, basement.
Each swallow provokes
the stubble blotching your Adam’s apple.
Tremors or faltering
eyes?
Gin?
Moonlight and stars.
Polyps on your nose —
dried blood at the bend of your jaw —
a Band Aid behind an ear —
drooping lobes — drooping lids
which veil your eyes which aimed
your fist, so long ago,
to beat the two I know only as,
That whore of a wife and bastard son.
The punk of a Camel goes dark
and falls
to all the other ash
that fills your lap
F
Fiercely Tender: The Simple Complex World of Michael Ondaatje’s Novels
Shortly afterwards in that novel we encounter a celebration of the body, grime and all, unimpeded by this abstraction called mind. While writing the body might seem not altogether unusual, my point is that you cannot simply assume its naturalness. Language, even fictional language, is so much of a mentally...